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Merlini Storti restoring studio in Rome

22 images Created 2 May 2019

For nearly 30 years, conservators Valeria Merlini and Daniela Storti have worked to restore some of art history’s greatest treasures, notably staging the first open conservation project in Italy with their in situ work on Caravaggio’s The Pilgrims’ Madonna in the Church of Sant’Agostino in Rome in 1999.

Now, for the first time, art lovers have the chance to step into the pair’s Roman lab, where an all-female team works painstakingly to preserve paintings that are hundreds of years old.

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  • Rome, the coservative studio Merlini Storti, Valeria Merlini during the cleaning phase of the painting "Adoration of the Shepherds" by Fabrizio Santafede, oil on panel, 16th century
    Merlini Sorti studio-11.jpg
  • Rome, the coservative studio Merlini Storti, showing our guests some of the old painting techniques used by classical painters , blowing to get dry a test clolor
    Merlini Sorti studio-22.jpg
  • Rome, the coservative studio Merlini Storti, two paintings and a majestic frame that are under restoration inside the studio
    Merlini Sorti studio-14.jpg
  • Rome, the coservative studio Merlini Storti. classical painters used to add white vinegar to the pigment and egg yolk mix to prevent the tempera paint from rotting
    Merlini Sorti studio-24.jpg
  • Rome, the coservative studio Merlini Storti.,  Valeria Merlini
    Merlini Sorti studio-10.jpg
  • Rome, the coservative studio Merlini Storti, Barbara Rossodivita removing superficial dust on an 18th-century oil on canvas inside the studio
    Merlini Sorti studio-17.jpg
  • Merlini Sorti studio-19.jpg
  • Rome, the coservative studio Merlini Storti, on the left, Barbara Rossodivita working on one of the paintings under restoration; on the right, Chiara Scognamiglio working on a cleaning sample on an 18th-century painting performed under UV-light
    Merlini Sorti studio-7.jpg
  • Rome, the coservative studio Merlini Storti,  from left to right, Valeria Merlini, Chiara Scognamiglio, Daniela Storti and Barbara Rossodivita
    Merlini Sorti studio-8.jpg
  • Rome, the coservative studio Merlini Storti. classical painters used to add white vinegar to the pigment and egg yolk mix to prevent the tempera paint from rotting
    Merlini Sorti studio-23.jpg
  • Merlini Sorti studio-21.jpg
  • Rome, the coservative studio Merlini Storti, pictured beside the desk, "La Primavera" by John Kirby (2002) restored by the studio in 2016.
    Merlini Sorti studio-13.jpg
  • Rome, the coservative studio Merlini Storti,  various paintings that are under restoration inside the studio
    Merlini Sorti studio-15.jpg
  • Rome, the coservative studio Merlini Storti,  Valeria Merlini
    Merlini Sorti studio-4.jpg
  • Rome, the coservative studio Merlini Storti
    Merlini Sorti studio-5.jpg
  • Rome, the coservative studio Merlini Storti, detail of a cleaning sample on an 18th-century painting performed under UV-light
    Merlini Sorti studio-6.jpg
  • Rome, the coservative studio Merlini Storti,  various paintings that are under restoration inside the studio
    Merlini Sorti studio-16.jpg
  • Rome, the coservative studio Merlini Storti, to restore classical paintings restorers use varnish colors produced specifically for restoration
    Merlini Sorti studio-12.jpg
  • Rome, the coservative studio Merlini Storti, some of the artworks under restoration in the Merlini
    Merlini Sorti studio-18.jpg
  • Rome, the coservative studio Merlini Storti
    Merlini Sorti studio.jpg
  • Rome, the coservative studio Merlini Storti, water clock built in 1870 by Father Giovanni Embriaco, a Dominican priest
    Merlini Sorti studio-2.jpg
  • Rome, the coservative studio Merlini Storti, marble statue portraying a Madonna with Child
    Merlini Sorti studio-3.jpg
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Alberto Bernasconi

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